No. 3 (2019): Armiliar 3

View No. 3 (2019): Armiliar 3

Published: 2019-05-02

Editorial

Editorial

Federico Luis Ruvituso, Rubén Hitz

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Articles

The Question mal posée. Jorge Romero Brest and the Art History of Uruguay

Cecilia Tello D’Elia

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Two Letters: Jan Toorop and the Symbolist Drawing

Renata Oliveira Caetano, Clarissa Videira Rocha de Souza

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Bond Glares for a Situated Historiography. Shedding Light upon the Dark Forms of Latin American Art

Valentina Valli

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Make (Other) History. Genealogy Building in the Work of Effy Beth

Lázaro Olier

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Cut and Connection. Montage and Musical form in Claude Debussy´s Canope

Luis Menacho

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Sameness and Difference in the Historical Development of Art. Gilles Deleuze and Arthur Danto´s Approaches

Juan P. Sosa, Mariano O. Martínez Atencio

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The Discursive Footprints in the Silabario, by Ricardo Rojas

María Silvia Cobas Cagnolati, Natacha Valentina Segovia

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Progress of works

Sociology of Art. Historiographical Notes between Hauser and Francastel

María Inés Gannon

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Destabilizing the Speech. Feminist Art of Buenos Aires Underground

Ana Laura Suzzi

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Warburg and the Migration of Images Over the Time

Pamela Dubois

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Notes about Guido, Kusch and Acha

Giuliana Paneiva

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Interviews and reviews

Nurturing One’s Own. Between Saying and Doing in Rodolfo Franco

Germán Casella

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With the Body

Luciana Alejandra Ales

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That Matrix Called Tango. Dialogue with Diego Schissi

Manuel González

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