No. 10 (2014): Arte e Investigación 10

Editorial

Editorial

Silvia García

7
- PDF ()

Articles

The political-critical in Art. Archive and images from the montage

Paola Sabrina Belén, Sofía Delle Donne

11-17
- PDF ()
Community management of the design in the family agriculture. Installations for pigs

Laura Chierchie, Sergio Justianovich, Ibar Federico Anderson

18-23
- PDF ()
IMPRESOPORMI. Artist’s book and its relational potentiality

Lucía Engert

24-29
- PDF ()
Grupo Espartaco between 1959 and 1968. Notes for the study of its artistic position

Axel Ezequiel Ferreyra Macedo

30-37
- PDF ()
Dark forms of contemporary art

Silvia García, Valentina Valli

38-44
- PDF ()
History of music in Latin America. That vast territory between the self and the other

María Elena Larregle, Martin Eckmeyer, María Paula Cannova

45-53
- PDF ()
Research and Art. Undergraduate thesis on Plastic Arts , FBA

Julia Lasarte, Sol Massera, Laura Molina

54-60
- PDF ()
Image, history and anachronisms. An approach to Georges Did-Huberman

Melissa Mutchinick

61-65
- PDF ()
Utilísima magazine and the presentation arts

Juan Cruz Pedroni

66-73
- PDF ()
The distance that brings it closer. Towards a space to think about the images

Federico Luis Ruvituso

74-80
- PDF ()
After the crisis. Self-managed artistic experiences and practices after 2001

Federico Urtubey, Verónica Capasso

81-88
- PDF ()
Experiments for the production of robotic sculptures

Emiliano Causa, Ariel Uzal

89-100
- PDF ()
From engraving to graphic art. Or from the technique to the dynamics of the processes

Guillermina Valent

101-107
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From minimalism to installation. Conceptual contributions around the art experience

Silvina Valesini

108-116
- PDF ()

Research works

Materials, movements and gestural configurations in tonal music

Sergio Balderrabano

119-122
- PDF ()
Art High School on the Argentine Education System. Art Education and the obligatory nature in the frame of the National Education Law 26206

Marcela Mardones, Andrea Cataffo

123-128
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Art and social inclusion. New paradigms

Verónica Dillon, Graciela Grillo

129-133
- PDF ()
Exploration and analysis of the circulation of contemporary art in artistic spaces self-managed in the city of La Plata (2010-2016)

María Cristina Fukelman

134-139
- PDF ()
Contemporary ideation and production strategies in fire arts

María Celia Grassi

140-144
- PDF ()

No. 10 (2014): Arte e Investigación 10

Editorial

Editorial

Articles

The political-critical in Art. Archive and images from the montage

Community management of the design in the family agriculture. Installations for pigs

IMPRESOPORMI. Artist’s book and its relational potentiality

Grupo Espartaco between 1959 and 1968. Notes for the study of its artistic position

Dark forms of contemporary art

History of music in Latin America. That vast territory between the self and the other

Research and Art. Undergraduate thesis on Plastic Arts , FBA

Image, history and anachronisms. An approach to Georges Did-Huberman

Utilísima magazine and the presentation arts

The distance that brings it closer. Towards a space to think about the images

After the crisis. Self-managed artistic experiences and practices after 2001

Experiments for the production of robotic sculptures

From engraving to graphic art. Or from the technique to the dynamics of the processes

From minimalism to installation. Conceptual contributions around the art experience

Research works

Materials, movements and gestural configurations in tonal music

Art High School on the Argentine Education System. Art Education and the obligatory nature in the frame of the National Education Law 26206

Art and social inclusion. New paradigms

Exploration and analysis of the circulation of contemporary art in artistic spaces self-managed in the city of La Plata (2010-2016)

Contemporary ideation and production strategies in fire arts

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