From engraving to graphic art. Or from the technique to the dynamics of the processes

Authors

  • Guillermina Valent Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano Facultad de Bellas Artes Universidad Nacional de La Plata

Keywords:

Image, printed, base, multiple, contemporary

Abstract

Currently, we can see an important development of plastic artworks that articulate the production of images on bases which, far from being neutral support platforms, constitute complex devices. What we interpret as a shift of the symbolic production towards the context has configured new discoursivities that are difficult to classify. But, above all, it is there we identify for Engraving and Printmaking a singular scene in which continuities are evidenced and in which certain ruptures regarding the tradition of such discipline are consolidated. Therefore, we observe a particular way of getting into the fecund frame of permeable limits that contemporaneity suggests.

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Published

2016-09-20

How to Cite

Valent, G. (2016). From engraving to graphic art. Or from the technique to the dynamics of the processes. Arte E Investigación, (10), 101–107. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/aei/article/view/246

Issue

No. 10 (2014): Arte e Investigación 10

Section

Articles

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