Contemporary Art, Ideology and Phantasmagoria. A Material History of Art
DOI:
https://doi.org/10.24215/25250914e013Keywords:
Art, politics, ideology, historyAbstract
In the essay La Exforma [The exform], Nicolas Bourriaudasks about the relationship between art and politics incontemporaneity. In this relation the author observes acommon operation that crosses all the layers of existence:the expulsion. In this way the world is divided between: thereal and the ideal. The first concept refers to the productive,the useful; the second, to the non-profitable. Now, what isejected? Who determines what is excluded?Downloads
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