The Cinema as an Avant-Garde Act. A Medium that Transgresses its Own Laws

Authors

  • Juan Manuel Velis Facultad de Artes. Universidad Nacional de la Plata

DOI:

https://doi.org/10.24215/25250914e048

Keywords:

Cinema, avant-garde, science fiction, Modernity, virtuality

Abstract

Fernando Vizcarra, researcher and academic at the Universidad Autónoma de Baja California, Mexico, studies the cinematographic arts from different analytical perspectives. The artistic avant-gardes of the early twentieth century, science fiction and its consolidation as an influential genre in the mass culture of the 1950s and the intralinguistic and symbolic dimension of cinema, are analyzed in this collection of essays, crossed by the conditioning of contemporary and transcendental changes around the artwork.

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References

Sánchez Vázquez, A. (2005). De la Estética de la Recepción a una estética de la participación. Recuperado de http://hdl.handle.net/10391/1849

Vizcarra, F. (2013). La mirada cómplice. Ensayos sobre cine y sociedad. Recuperado de https://www.academia.edu/32402697/F._Vizcarra._La_mirada_c%C3%B3mplice_Conaculta_2013.pdf

Published

2020-08-14

How to Cite

Velis, J. M. (2020). The Cinema as an Avant-Garde Act. A Medium that Transgresses its Own Laws. Octante, (5), e048. https://doi.org/10.24215/25250914e048

Issue

Section

Apuntes bibliográficos