Art and politics about Mendoza art of the 70s. Censorship, alternative circulation and debates of the period
Keywords:
Art, politics, Mendoza, 70s, circulationAbstract
The present work is an approach to the art field in Mendoza during the 70s. The analysis perspective has three complementary dimensions: the censorship as a determinative factor of artistic circulation, the rise of resistance dynamics between artists, and the discussions than they held concerning their practice. The institutional censorship of the military dictatorship forced some artists to resist through an alternative circuit, different from those Institutions they represented. Meanwhile, in context of the Cold War, the Cuban Revolution and the socialistic government of Salvador Allende, many artists became left-wing activists.Thus a new focal point in the discussion emerged, which was related with the interest to define the role of art in a violent social context of military dictatorship.Downloads
Downloads
Published
How to Cite
Issue
Section
License
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Boletín de Arte the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine.
Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.