The private as public. Yrurtia and Correa Morales in Ruiz de Olanos’s documental fund

Authors

  • Inés Carafí Instituto de Altos Estudios Sociales Universidad Nacional de San Martin
  • Romina De Lorenzo Instituto de Altos Estudios Sociales Universidad Nacional de San Martin
  • Milena Gallipoli Instituto de Altos Estudios Sociales Universidad Nacional de San Martin

Keywords:

Private archive, cataloging, Argentine art, Rogelio Yrurtia, Lía Correa Morales

Abstract

This article aims to present the research progress carried out by the Instituto de Investigaciones sobre el Patrimonio Cultural tarea, Universidad Nacional de San Martín. It examines the documents of Irene Ruiz de Olano, a private archive that belonged to the sculptor Rogelio Yrurtia and his wife, the artist Lía Correa Morales. It covers the period from 1900 to 1971 and includes various materials, from letters and official contracts concerning sculptural commissions to small fragments of unrelated papers. Progress in archival material about the organization and retention of documents are presented. Finally, a case about source availability for research is analyzed, taking the example of Las Pecadoras, a sculptural group exhibited by Yrurtia around 1903 in Paris.

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Published

2016-09-28

How to Cite

Carafí, I., De Lorenzo, R., & Gallipoli, M. (2016). The private as public. Yrurtia and Correa Morales in Ruiz de Olanos’s documental fund. Boletín De Arte, (16), 50–57. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/boa/article/view/317

Issue

No. 16 (2016): Boletín de Arte 16

Section

Status of the issue

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