The Theater Labyrinth
DOI:
https://doi.org/10.24215/23142502e074Keywords:
theatre, audiovisual, disciplinary crossing, event, art historyAbstract
This article develops some problems linked to the intersection between audiovisual and theater. For this, it will initially address some possible perspectives when facing this disci plinary intersection and then it will focus on a historicization of different moments whe re these encounters occurred until arriving at the 60s., in the context of the so-called performative turn (Fischer-Lichte, 2004). This will be a bridge to examine the case of Umarla Klassa (Wajda, 1977), a portrait of the production of Tadeusz Kantor, and the strategies implemented for its capture. Fina lly, it will be mentioned the case of a con tent for internet made by the band Nine Inch Nails in 2009 and its influence on the filming of Proyecto cero (Poncetta, 2018), one of the cases studied in the UNLP Doctoral Scholar ship project.Downloads
References
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