Drawing the Space Between

the Experimental Moving Image in Chile

Authors

DOI:

https://doi.org/10.24215/23142502e066

Keywords:

Experimental cinema, experimental video, Chile, moving image

Abstract

This review focuses on the book Visiones Laterales. Cine y video experimental en Chi le (1957-2017) (2018), by Claudia Aravena and Iván Pinto. Throughout the pages of this book, the authors intentionally avoid the de marcation of a disciplinary field and its alle ged specificity, to explore instead the links that the experimental moving image has established through time with territories be yond itself —the theater, the visual arts, TV, and documentary films, but also politics, the academic field, archives and Chile itself.

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References

Aravena, C. y Pinto, I. (2018) Visiones Laterales. Cine y video experimental en Chile (1957 2017). Metales Pesados.

Flusser, V. [1984] (2015) Hacia una filosofía de la fotografía. Editorial Síntesis.

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Published

2024-11-13

How to Cite

Cantú, . M. (2024). Drawing the Space Between: the Experimental Moving Image in Chile. Boletín De Arte, (26), e066. https://doi.org/10.24215/23142502e066

Issue

No. 26 (2024): Boletín de Arte 26

Section

Reviews

License

Copyright (c) 2024 Mariela Cantú

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