A Phenomenological Approach to Installed Projection

Imágenes postantrópicas en Enrique Ramírez

Authors

  • Matías Nicolás Taylor Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/23142502e057

Keywords:

Audiovisual installation, Film theory, Projection, Expanded cinema

Abstract

This article will seek to demarcate the use of the projected image in installation works as an object of study from a phenomenological perspective, emphasizing the interactions between it and the lived body of the spectator. We will find that these pieces posit a differential with respect to the traditional cinematographic device that expands the limits of the moving image’s habitability, generating spatial, temporal and durational complexes in which the spectatorial body plays a crucial part.

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References

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Thekala Wilmink, M. (2014). Situating the immersive experience: exploring intermedial situations in art/cinema installations [Situando la experiencia inmersiva: explorando situaciones intermediales en instalaciones arte/cine] (Tesis de maestría). https://ourspace.uregina.ca/handle/10294/5784?show=full

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Published

2023-12-15

How to Cite

Taylor, M. N. . (2023). A Phenomenological Approach to Installed Projection: Imágenes postantrópicas en Enrique Ramírez. Boletín De Arte, (25), e057. https://doi.org/10.24215/23142502e057

Issue

No. 25 (2023): Boletín de Arte 25

Section

Articles

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