How to Paint La Pampa
DOI:
https://doi.org/10.24215/25250914e035Keywords:
Pampa, landscape, gouache, SívoriAbstract
The article summarizes the objectives and advances of the thesis project for the Bachelor in History of Art of the Faculty of Fine Arts, National University of La Plata, entitled Experience and representation pampeana. Contributions for the understanding of the landscape genre from the study of the work of Eduardo Sívori. The research was funded by the Stimulus to Scientific Vocation scholarship program of the National Inter-University Council. The project was presented and approved in 2018, and its writing is still ongoing.Downloads
References
Malosetti Costa, L. (2001). Los primeros modernos. Arte y sociedad en Buenos Aires a fines del siglo XIX. Ciudad Autónoma de Buenos Aires, Argentina. Fondo de Cultura Económica.
Malosetti Costa, L. (2005). ¿Un paisaje abstracto? Transformaciones en la percepción y representación visual del desierto argentino. En G. Batticuore, K. Gallo y J. Myers (Comps.), Resonancias románticas. Ensayos sobre historia de la cultura argentina (1820-1890) (pp. 291-303). Ciudad Autónoma de Buenos Aires, Argentina: EUDEBA.
Malosetti Costa, L. (2007). Pampa, ciudad y suburbio. Ciudad Autónoma de Buenos Aires Buenos Aires, Argentina: Fundación OSDE.
Sívori, E. (1905). Boleando avestruces [Pintura al gouache]. La Plata, Argentina: Museo Provincial de Bellas Artes Emilio Pettoruti.
Downloads
Published
How to Cite
Issue
Section
License
Current policy since 2019
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Octante the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine.
Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.