The Artistic Contingency of The Vernacular

Authors

  • Ana Laura Cotignola Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25250914e072

Keywords:

Votive offering, art, popular, folk art

Abstract

It is understood that popular objects, such as visual images, are the competence of our disciplinary field, however, the plastic/poetic approach of these cultural pieces evidences the lack and/or categorical limitations that traditional aesthetic theory contemplates. The present work aims to investigate the artistic status of a popular, collective and contemporary practice recognized as ex-voto: a conglomerate of offerings of little houses/ models located in the Difunta Correa sanctuary (Vallecito, San Juan). This task implies revising traditional theoretical concepts, including Latin American aesthetic positions and delving into the conceptual limits of reflection.

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References

Acha J. (1981). Arte y sociedad, Latinoamérica, el producto artístico y su estructura. Fondo de Cultura Económica de México.

Colombres, A. (2007). Sobre la cultura y el arte popular. Del Sol.

Escobar, T. (2014). El mito del arte y el mito del pueblo. Cuestiones sobre el arte popular. Paidós.

Vasilachis de Gialdino, I. (coord.) (2006). Estrategias de la investigación cualitativa. Gedisa.

Published

2022-08-26

How to Cite

Cotignola, A. L. . (2022). The Artistic Contingency of The Vernacular. Octante, (7), e072. https://doi.org/10.24215/25250914e072

Issue

Section

Recapitulaciones