Is There Room for The Visual?
Narrative Technologies in Art History
DOI:
https://doi.org/10.24215/25250914e063Keywords:
Art history, critic, narrative, image, bookAbstract
Art history has reviewed and redefined its object of study thanks to the criticisms developed from different theoretical frameworks and militancies, which pointed out the exclusions of the canonical narrative. Although the challenge of critical art histories at the conceptual level is clear, the need to invent narrative technologies that include new materialities and modes of operation of visualities is not always evident. This article reviews some operations on and with images in books that narrate art histories.Downloads
References
AA.VV. (2014). Perder la forma humana. Una imagen sísmica de los años ochenta en América Latina. UNTREF, MNCARS.
Axat, A.; Cisneros, J. y Romero, P. (2019). Octubre chileno. Bruma.
Bruma editora (2021). Bruma editora. Recuperado de https://brumaeditora.tumblr.com/post/647195548952166400/brumaeditora
Correbo, M. N. (2019). Los cuerpos que no de la historia del arte. O cuando aprendemos solo el relato cisheteronormado. Octante, (4), e022. https://doi.org/10.24215/25250914e022
Gimeno, M. (2014-2020). Queridas viejas. Recuperado de https://www.mariagimeno.com/QUERIDAS-VIEJAS-PERFORMANCES
Guasch, A. M. (2000). Los manifiestos del arte posmoderno: textos de exposiciones, 1980-1995. Akal.
Gutiérrez, L. (2021). Imágenes de lo posible. Una genealogía discontinua de intervenciones lésbicas y feministas en Argentina 1986-2013. Asentamiento Fernseh.
Herrera, M. J. (2009). Exposiciones de arte argentino 1956-2006: la confluencia de historiadores, curadores e instituciones en la escritura de la historia. AAMNBA.
Mongan, G. (2017). Corpografías para narrar. boba, (4), pp. 26-30.
Pérez Balbi, M. (2020). Habitar/Confabular/Crear: activismo artístico en La Plata. EDULP.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Marina Panfili
![Creative Commons License](http://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Current policy since 2019
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Octante the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine.
Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.