This is Ours, Folks
Appropriation in the Work of Juan Simón Arens
DOI:
https://doi.org/10.24215/25250914e061Keywords:
Appropiation, contemporary art, visual culture, postproductionAbstract
This article brings together the main objectives, premises and theoretical bases on which the Interdisciplinary Collective Thesis Esto es nuestro, amigos is based, developed in conjunction with the artist and thesis student Juan Simón Arens. In it, we propose to investigate appropriation as an artistic procedure and as a contemporary cultural practice, starting from the analysis of Arens’s work as it incorporates and combines characteristics of both ways of doing. The production and writing of the thesis is ongoing.Downloads
References
Bourriaud, N. (2009). Radicante. Ciudad Autónoma de Buenos Aires, Argentina: Adriana Hidalgo editora.
De Certeau, M. (2001). De las prácticas cotidianas de oposición. En P. Blanco, J. Carrillo y otros (Eds.). Modos de hacer. Arte crítico, esfera pública y acción directa (pp. 391-426). Salamanca, España: Ediciones Universidad de Salamanca
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