The Perception of Theatrical Fiction
A Mini-Introduction
DOI:
https://doi.org/10.24215/25250914e052Keywords:
Husserl, Zich, fictive perceptionAbstract
The perception of theatrical fiction offers its complexities as the spectator is driven to imagine the body of the actress shows something different from what she actually is. In order to approach this issue, I ground my essay in an Edmund Husserl´s text from 1918, in which he settles the solution to this question by designing the concept of fictive perception, and in Czech phenomenologist and artist Otakar Zich’s approach, who uses the concept of semantic representation to address this issue.Downloads
References
Conrad, W. (1908b). Der ästhetische Gegenstand 2: Eine phänomenologische Studie [El objeto estético 2: un estudio fenomenológico]. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft (3), 469-511.
Conrad, W. (1909). Der ästhetische Gegenstand 3: Eine phänomenologische Studie [El objeto estético 3: un estudio fenomenológico]. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, (4), 400-455.
Husserl, E. (1980). Phantasie, Bildbewusstsein, Erinnerung. Zur Phänomenologie der anschaulichen Vergegenwärtigungen Texte aus dem Nachlass (1898-1925) [Fantasía, Conciencia de Imagen, Recuerdo. Sobre la fenomenología de las presentificaciones intuitivas (1898-1925) (Hrsg. von Eduard Marbach)]. Nueva York, Estados Unidos: Springer.
Jandová, J. y Volek, E. (Ed. y Trad.). (2013). Teoría Teatral de la Escuela de Praga. De la fenomenología a la semiótica performativa. Madrid, España: Fundamentos; Universidad Nacional de Colombia.
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