Towards a Poetics of Opacity. from Eduardo Grüner’s Warburguian Perspective
DOI:
https://doi.org/10.24215/25250914e046Keywords:
Image, nachleben, opacity, WarburgAbstract
Iconografías malditas, imágenes desencantadas es un ensayo que propone una reelaboración en la lectura de ciertas imágenes de la cultura, mediante un prototipo warburguiano. Plantea una interpretación desencantada de las imágenes, las cuales revelan un componente siniestro de la realidad en medio de su (no tan) inocente ficción. Eduardo Grüner hace de su ensayo un montaje mediante imágenes muy variadas acudiendo a un abanico de pensadores por dentro y por fuera del campo del arte.Downloads
References
Benjamin, W. (1936). La obra de arte en la época de su reproductibilidad técnica. Ciudad de México, México: Itaca.
Grüner, E. (2017). Iconografías malditas, imágenes desencantadas. Hacia una política warburguiana en la antropología del arte. Ciudad Autónoma de Buenos Aires, Argentina: Editorial Universitaria de la Facultad de Filosofía y Letras, Universidad de Buenos Aires.
Warburg, A. (1932) (2005). El renacimiento del paganismo: aportaciones a la historia cultural del Renacimiento europeo. Madrid, España: Alianza.
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