Activating Resistance
The Symbolic Dimension of Objects
DOI:
https://doi.org/10.24215/23142502e028Keywords:
feminism, symbolic dimension, objects, ResistanceAbstract
Feminist artistic productions, framed within political art, inscribe their politicity not only in the content but also in the plastic strategies of image construction. In some of these productions the work is achieved with objects and materiality loaded with meanings and affections that, through aesthetic procedures, activate resistance. From this, it is considered that the symbolic dimension of the objects put on stage, makes it possible to consider other imaginaries about the feminine must be, and with it, another corporeality and/or social subjects in the social field. To carry out this analysis, three artistic productions of a feminist character are taken: the performative action of the Las Amandas collective group (2019); the artistic installation Material descartable: Pared de perejiles (2000), by Ana Gallardo; and the work La sin título (1999), by Argelia Bravo.Downloads
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