Ingenuity and Naivety: The (Im)possibility of Landscape in the ‘Review of Art in Colombia during the 19th Century’ (1965) by Eugenio Barney Cabrera
DOI:
https://doi.org/10.24215/25457888e058Keywords:
Eugenio Barney Cabrera, landscape, Colombia, ingenuus, 19th CenturyAbstract
In the context of 19th-century landscape painting in Colombia, the absence of a robust history is noted due to the scarcity of significant works in this genre. This article reviews the historiographic text by Eugenio Barney Cabrera, “Review of Art in Colombia During the 19th Century,” to understand that the continuous use of the term naivety to describe the artistic production of the time, characterizing it as poor and primitive, made it difficult to write a solid history of the 19th-century landscape genre in Colombia. According to Barney, the landscape was relegated to the background in favor of genres such as portrait and costumbrista painting.Downloads
References
Barney Cabrera, E. (1965). Reseña del arte en Colombia durante el si glo XIX. Anuario Colombiano de Historia Social y de la Cultura, 2(3), 71 118.
Barney Cabrera, E. (1970). Temas para la historia y el arte en Colombia. Universidad Nacional de Colombia.
Fajardo, M. (2000). Manuel Dositeo Carvajal y el nacimiento del paisaje en Colombia. Ensayos: Historia y Teoría del Arte, (6), 1-15.
Real Academia Española. (s. f.-a). Ingenuidad. En Diccionario de la len gua española (23.ª ed.). https://dle.rae.es/ingenuidad
Real Academia Española. (s. f.-b). Candor. En Diccionario de la lengua española (23.ª ed.). https://dle.rae.es/candor
Uribe Hanabergh, V. (2021). Keeping, saving and remembering: Manuel Doroteo Carvajal’s trompe l’œil autograph drawings as elements of rhetorical visual strategy during the Colombian civil wars of the 1850s and 60s [Conservar, salvar y recordar: los dibujos autógrafos en trom pe l’œil de Manuel Doroteo Carvajal como elementos de estrategia visual retórica durante las guerras civiles colombianas de las décadas de 1850 y 1860]. Notes on the History of Art, 40(3), 1-15. https://www.journals.uchicago.edu/toc/sou/current
Uribe Hanabergh, V. (2016). La Comisión Corográfica colombiana y la Mission Héliographique francesa: Dos empresas nacionales a luz del positivismo del siglo XIX. Revista Historia y Sociedad, 30, 1-15. https://doi.org/10.15446/hys.n30.53810
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