From a Distant Land. Letter from Siberia, Revisited
Keywords:
Film, essay, history, authorship, intermedialityAbstract
The article examines Letter from Siberia, by Chris Marker, widely recognized as a milestonein the history of essay film. While reconsidering some arguments about the elements thathave made the film an obligatory reference, it focalizes in the construction of its author as anemblem of the condition of film essayist. Furthermore, the text delves into the ways Letterfrom Siberia locates the cinema in a complex intermedia matrix that highlights its visionarypotential, anticipating certain discussions that would only emerge plenty half a century later,in front of the advance of digitalization in film and audiovisual arts.References
Bazin, A. (2000). Carta de Siberia. En AA. VV., Chris Marker: Retorno a la inmemoria del cineasta. Valencia, España: Ediciones de la Mirada, Fundación Antoni Tapies, Junta de Andalucía.
Bellour, R. (2000). El libro, ida y vuelta. En AA. VV., Chris Marker: Retorno a la inmemoria del cineasta. Valencia, España: Ediciones de la Mirada, Fundación Antoni Tapies, Junta de Andalucía.
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Douhaire, S. y Rivoire, A. (2003). Interview: Rare Marker. Libération, 5 mars. Recuperado de http://next.liberation.fr/cinema/2003/03/05/rare-marker_457649
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Marker, C. (Director) (1958). Carta de Siberia (Lettre de Sibérie) [Película]. Francia: Argos Films, Procinex.
Rascaroli, L. (2017). How the Film Essay Thinks. Nueva York, Estados Unidos: Oxford University Press.
Richter, H. (Director). (1928). Inflation [Documental corto]. Alemania: UFA.
Resnais, A. (Director). (1955). Noche y niebla [Documental]. Francia: Cocinor, Cosmo-Films, Argos Films.
Rouch, J. (Director). (1955). Los maestros locos [Documental]. Francia: Les Films de la Pléiade.
Temple, R. y Smolens, K. (2014). Decades Never Start on Time. A Richard Roud Anthology. Londres, Inglaterra: BFI.
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