Poetics as Critical Interpellation in Art

Authors

  • Guillermina Cabra Instituto de Producción y Enseñanza del Arte Argentino y Latinoamericano Facultad de Bellas Artes. Universidad Nacional de La Plata
  • Paola Sabrina Belén Instituto de Producción y Enseñanza del Arte Argentino y Latinoamericano Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/24691488e020

Keywords:

Political and critical art, poetic, interpellation

Abstract

In this paper we explore the ways in which the political can be problematized from the poetics of art. A glimpse of the political in the images might bring us closer to artistic practices looking to call upon the spectator in order to generate new meaning, new ways to know and make visible. We will consider the cases of Codo a codo, by Rodrigo Etem, and Los sonidos de atrás, by Leticia Obeid, presented within the exposition Political Poetics which took place in Parque de la Memoria from December 2016 until March 2017, organized around the question «what does it mean today to make political art?».

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References

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Published

2019-05-30

How to Cite

Cabra, G., & Belén, P. S. (2019). Poetics as Critical Interpellation in Art. Arte E Investigación, (15), e020. https://doi.org/10.24215/24691488e020

Issue

No. 15 (2019): Arte e Investigación 15

Section

Articles

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