The discourses of HIV/AIDS in artistic practices
DOI:
https://doi.org/10.24215/24691488e001Keywords:
HIV/AIDS, artistic practices, social representation, bodyAbstract
Thinking today about HIV, when it has been passed 36 years since the first cases, place us in an exceptional scenario to reflex about the art possibilities when a social problem is approached. The HiV impact had and still has, has propitiated a series of artistic practices which ones denunciate the social representation of the illness. What is presented here is a visual narrative, pieces and actions that have two fundamental questions. First, HiV / AiDS as a core of artistic discourses and, secondly, the body as a symbolic site in which all these regards converge.Downloads
References
Aliaga, J. V. (2002). Pepe Espaliú. Madrid, España: Museo Nacional Centro de Arte Reina Sofía.
Atkins, R. (1989). Arte y Sida: de luto e iracundos. Arena, (5), 11.
Bañon, A. (1993). El tajo. [Audiovisual]. Recuperado de http://www.museoreinasofia.es/actividades/video-como-contra-archivo-sida
Barret, J. y Forster, R. (1992). X-ray series [Fotografia]. Recuperado de http://motspluriels.arts.uwa.edu.au/MP397mpeg6.html
Barrón, S.; Navarro, J. y Piqueras, N. (2006). El arte látex: reflexión, imagen y sida. Valencia, España: La Nau.
Colectivo Equipo Re (2013). Anarchivo sida [Archivo]. Recuperado de https://equipo-re.org/proyectos-en-curso/proyecto-sida/
Comaroff, J. (2007). Beyond Bare Life: AIDS, (Bio) Politics, and the Neoliberal Order. Public Culture, 19 (01), 197-219. doi: 10.1215/08992363-2006-030
Crimp, D. (1989). De vuelta al museo sin paredes. Arena, (1), 64-65.
Del Río Almagro, A. y Baya Gallego, A. (2012). Representaciones, silencios y reiteraciones en las campañas de información y prevención del VIH-SIDA: la construcción del estereotipo del varón homosexual. Recuperado de http://www.educacionartistica.es/aportaciones/1_comunicaciones/visibilizacion/111_delrio_baya_vih.pdf
Dunbar, J. (1993). Posithiva Sex Happens [Fotografia]. Recuperado de https://www.aidsart.org/art-as-activism-in-the-age-of-aids?lightbox=dataItemik7iy2ns
Eidspjeld, P. (1991). Virus H [Fotocollage]. Recuperado de http://visualaids.org/artists/detail/per-eidspjeld
Espaliú, P. (1 de diciembre de 1992). Retrato de un artista desahuciado. El País. Recuperado de http://elpais.com/diario/1992/12/01/opinion/723164411_850215.html
Espaliú, P. (1991-92). Carrying [Acción artística]. Recuperado de https://elpais.com/cultura/2016/11/30/actualidad/1480537604_637486.html
Espaliú, P. (1992). Sin título (Tres jaulas) [Escultura]. Madrid, España: Museo Reina Sofía.
Espaliú, P. (1993). El nido [Instalación]. Recuperado de https://www.ivam.es/es/exposiciones/circulo-intimo-el-mundo-de-pepe-espaliu/
Gober, R. (1991). Untitled [Escultura]. Recuperado de https://www.moma.org/collection/works/81069
González Torres, F. (1991). Sin título [Fotografía. Intervención urbana]. Recuperado http://www.malba.org.ar/evento/felix-gonzalez-torres-somewhere-nowhere/#prettyphoto[group]/7/
Guberman, R. (1997). Blood work Book [Fotografía]. Recuperado de http://visualaids.org/artists/detail/rebecca-guberman-bloom#
Kauffman, K. D. y Martin, M. (Comps.). (2004). En el catálogo de la exposición Aids Art/South Africa- the visual expression of a pandemic. Ciudad del Cabo, Sudáfrica: South African National Gallery.
Kuropatwa, A. (1996). Cóctel [Serie de fotografías]. Recuperado de https://www.artsy.net/artwork/alejandro-kuropatwa-serie-coctel-4
Lamarca, A. (2002). En Berlín [Fotografía]. Recuperada de https://www.plataformadeartecontemporaneo.com/pac/entrevista-a-alicia-lamarca/
Lidice Benes, B. (1993). Veno Mous Rose (Joke Flower with HIV+Blood) [Técnica mixta con sangre VIH]. Recuperado de http://visualaids.org/artists/detail/barton-lidice-bene#
Maresca, L. (2006). El amor-lo sagrado- el arte. Buenos Aires, Argentina: Leviatán.
Miralles, P. (1996). La impotencia [Instalación]. Recuperado de http://www.pepemiralles.com/la-impotencia/
Miralles, P. (1996). Los inútiles [Instalación]. Recuperado de http://www.pepemiralles.com/los-inutiles/
Miralles, P. (2001). Mantener, sostener, sustentar [Instalación]. Recuperado de http://www.pepemiralles.com/mantener-sostener-sustentar-3/
Miralles, P. (2009). Primeras palabras [Instalación]. Recuperado de http://www.pepemiralles.com/primeras-palabras/
Miralles, P. (2016). Proyecto Sida Social. Recuperado de http://www.pepemiralles.com/proyecto-sida-social/
ONUSIDA (2015). El sida en cifras 2015. Recuperado de http://www.unaids.org/sites/default/files/media_asset/AIDS_by_the_numbers_2015_es.pdf
ONUSIDA (2016). Comunicado de prensa. Recuperado de http://www.unaids.org/es/resources/presscentre/pressreleaseandstatementarchive/2016/july/20160712_prevention-gap
Serrano, A. (1987). Bloodstream [Fotografía]. Recuperado de http://www.artnet.com/artists/andres-serrano/bloodstream-v9LuFFloiDd5hjocuJHmUA2
Serrano, A. (1988). Untitled XIII (Ejuculate In Trajectory) [Fotografía]. Recuperado de http://www.artnet.com/artists/andres-serrano/untitled-iii-ejaculate-in-trajectory-qNYAXQ7_OPPAsrobb_x8BQ2
Sontang, S. (1996). La enfermedad y sus metáforas y el SIDA y sus metáforas. Madrid, España: Taurus.
Tandatnick, C. (1993). AIDS Virus on White Blood Cell/ Grey (Virus) Border [Pintura y serigrafía]. Recuperado de https://artsearch.nga.gov.au/Detail.cfm?IRN=1208&PICTAUS=TRUE
UNAIDS (2016a). AIDS by the numbers. AIDS is not over, but it can be. Recuperado de http://www.unaids.org/sites/default/files/media_asset/AIDS-by-the-numbers-2016_en.pdf
UNAIDS (2016b). Informe de brechas en prevención. Recuperado de http://www.unaids.org/sites/default/files/media_asset/prevention-gap-report-summary_es.pdf
Valldosera, E. (2014). Presentación VERA ICON [Video]. Recuperado de https://www.youtube.com/watch?v=oPVtWKGUQEQ
Weeks, J. (1995). Valores en una era de incertidumbre. En R. Llamas (Ed.), Construyendo sidentidades. Estudios desde el corazón de la pandemia (pp. 199-226). Madrid, España: Siglo XXI.
Williamson, S. (2000). From the inside [Fotografía] Recuperado de http://artthrob.co.za/wp-content/uploads/2016/02/7520Inventory16354-1020-1.jpg
Wojnarowicz, D. (1988). Sex Series [Collage fotográfico]. Recuperado de https://www.moma.org/collection/works/51346
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International. According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Arte e Investigación the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the National University of La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
