Art and Archives: the Critical in the Exhibition Montage. Diarios del odio, by Roberto Jacoby and Sid Krochmalny

Authors

  • Sofía Delle Donne Instituto de Producción y Enseñanza del Arte Argentino y Latinoamericano Facultad de Bellas Artes Universidad Nacional de La Plata
  • Paola Sabrina Belén Instituto de Producción y Enseñanza del Arte Argentino y Latinoamericano Facultad de Bellas Artes Universidad Nacional de La Plata

Keywords:

Installation, exhibition assembly, mimesis, political art

Abstract

This article analyzes the critical potential of the exhibition assembly in Diarios del odio by Robert Jacoby and Sid Krochmalny. To this purpose, different expositions of the work, in which the presentation strategies forced to change its format, are selected. Concepts of installation and mimesis are central and they are articulated with the idea of political art. In this case, artists work with archive documentation. This characteristic is taken into account to address the poetic scope and its political implications.

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Published

2017-11-28

How to Cite

Delle Donne, S., & Belén, P. S. (2017). Art and Archives: the Critical in the Exhibition Montage. Diarios del odio, by Roberto Jacoby and Sid Krochmalny. Arte E Investigación, (13), 66–78. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/aei/article/view/518

Issue

No. 13 (2017): Arte e Investigación 13

Section

Articles

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