History of music in Latin America. That vast territory between the self and the other

Authors

  • María Elena Larregle Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano. Facultad de Bellas Artes. Universidad Nacional de La Plata
  • Martin Eckmeyer Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano. Facultad de Bellas Artes. Universidad Nacional de La Plata
  • María Paula Cannova Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano. Facultad de Bellas Artes. Universidad Nacional de La Plata

Keywords:

Music, Latin America, historiography, transculturation

Abstract

The bibliographical production of the musical history in Latin America has generated, from different theoretical perspectives, stories that include heterogenic music, processes and problems. Often, territorial and cultural classification of what is Latin American, Hispanic American, Ibero-American or Indo-American allows us to glimpse part of the theoretical foundations that organize the historiographic-musical studies of the region. In this proposal it is expected to find in the concept of transculturation one of the guidelines that will allow us to circumscribe criteria for the historical study of the music of Latin America.

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Published

2016-09-20

How to Cite

Larregle, M. E., Eckmeyer, M., & Cannova, M. P. (2016). History of music in Latin America. That vast territory between the self and the other. Arte E Investigación, (10), 45–53. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/aei/article/view/238

Issue

No. 10 (2014): Arte e Investigación 10

Section

Articles

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