Treasure Events. Approaches to the Personal Archive of Luis Pazos
DOI:
https://doi.org/10.24215/24691879e023Keywords:
Personal archive, photography, action art, Luis PazosAbstract
By the end of 2018 and the beginning of 2019 we visited artist Luis Pazos, prominent figure of Latin American conceptualism, in order to investigate the composition of his personal archive and its conservation and activation strategies. The main focus was set on the photographs of the early years of his career, for this collection shows his aesthetic perspectives regarding the relationship between art and life, as well as the tensions between the public and the intimate, the work of art and its records reflecting the heterogenic and anarchic aspects of the corpus, wich are concepts that are encoded in the notion of personal archive.References
Giunta, A. (2010). Archivos. Políticas del conocimiento en el arte de América Latina. Errata. Revista de Artes Visuales, 1(1), 22-37. Recuperado de https://issuu.com/revistaerrata/docs/revista_de_artes_visuales_errata_1_issuu
Schmuck, L. (abril de 2017). Los archivos personales como «an-archivos»: el concepto de «global archives». Ponencia presentada en las 2.° Jornadas de discusión / 1.° Congreso Internacional. Los archivos personales: prácticas archivísticas, problemas metodológicos y usos historiográficos. Centro de Documentación e Investigación de la Cultura de Izquierdas (CeDInCI), Universidad Nacional de San Martín, Ciudad Autónoma de Buenos Aires, Argentina.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Nimio the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
