Nimio https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio <strong><a href="/ojs/index.php/nimio/issue/view/41"><strong>INDICE NÚMERO 4</strong></a></strong> es-ES <div id="copyright_notice"> <p>The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Attribution-NonCommercial-NoDerivatives 4.0 International</a>.<br> According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.<br> The cession of non-exclusive rights means that after the publication (post print) in <strong>Nimio</strong> the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by <a href="http://sedici.unlp.edu.ar/handle/10915/42782">SEDICI</a>, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.<br> Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.</p> </div> teoriadelahistoriafba@gmail.com (Natalia Giglietti) soportepapelcosido@gmail.com (Soporte Papel Cosido) Fri, 17 May 2024 16:04:47 +0000 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 Editorial https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1872 <p>Editorial to the 10th issue of the Nimio magazine</p> Natalia Giglietti, Elena Sedán Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1872 Fri, 17 May 2024 00:00:00 +0000 The Need for Poetics and Disobedience https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1876 <p>Lia Colombino, director of the Museo de Arte Indígena del Centro de Artes Visuales/ Museo del Barro, tells us about the beginnings of her career and how those experiences shaped an unprejudiced perspective to analyze the arts of Paraguay. In this framework, she discusses modern historiographic categories, ways of intervening as an institution, and shares anecdotes with us to rethink how we make visible the presence of indigenous art in contemporary times. Her particular approach to archives is present in the metaphors she constructs to explain her work and which, on this occasion, she develops based on the notions of phantasmagoria and insurgent memory.</p> Natalia Giglietti, Elena Sedán Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1876 Fri, 17 May 2024 00:00:00 +0000 To Archive, Watch Over and Perpetuate https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1873 <p>In the present work, we intend to reflect about the possibilities of representation from different archives that address the same case, starting from a <em>Dirección de Inteligencia de la Provincia de Buenos Aires</em> surveillance report, concerning the <em>Mesa Redonda</em> organized by <em>La Rosa Blindada</em> in the year 1965. We propose to analyze comparatively how the tense dialogue of archived information within its democratization in the digital files from the portal AméricaLEE, as well as the politics and strategies of each archive in the construction of the representations. Now, as never before the archive constitutes the repository from which is possible to write another’s histories (Giunta, 2010).</p> Ana Sol Pontaquarto, Guillermina Gomez, Sol Nava Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1873 Fri, 17 May 2024 00:00:00 +0000 Artivism: A Life Sense https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1874 <p>This work is thought to deal deeply into the personal archive of Rafael Santos (1961- 2021), an Argentinian artist who dedicated his career to environmental issues. This analysis considers, as a case of study, the exhibition <em>Substance Abuse</em>, held at the Library of the National University of La Plata in 2017. The approach of his artistic life accounts for the tensions which arose when trying to define the archive. In this regard, new questions open their way to the relationship between the latter and his artistic work. Therefore, it is possible to comprehend and enrich the concept of the term, as well as to account for the consistency of Rafael Santos’ artistic practice and the sensitive validity of his gaze.</p> Julia Veiga Higa, Martina Méndez, Victoria Mutinelli Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1874 Fri, 17 May 2024 00:00:00 +0000 Flags in Your Heart https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1875 <p>The following essay aims to delve into the historical archive of the “Estudiantes de La Plata” multi-sports club, in the capital of the province of Buenos Aires. The corpus consists of a selection of pennants from different periods of the club’s history, largely over football. On one hand, the essay addresses the constitution of these objects as a material symbol that the institution preserves as an identity element in its history. On the other hand, the construction of the Estudiantes archive as such. As a theoretical framework, concepts reviewed in the History Theory course (FDA-UNLP), such as visual culture, representation and organic and inorganic archive, will be recovered.</p> Virginia Agretti, Mica Fernandez, Sol Desiree Gouiric Noya Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1875 Fri, 17 May 2024 00:00:00 +0000 The Filoctetes Archive and Its Drifts https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1877 <p>In this article, Maricel Álvarez is in charge, first of all, of contextualizing and describing the urban intervention<em> Proyecto Filoctetes</em> (2002-2007) by Emilio García Wehbi. Secondly, it deals with the decision to build an archive about the project, a collection that not only aspires to preserve the memory of the work, but also to develop as a platform for thinking about the archive in the field of the so-called living arts.</p> Maricel Álvarez Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1877 Fri, 17 May 2024 00:00:00 +0000 Hacer del arte un hecho inevitable https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1878 <p>La U.B.E.E.D es un grupo que combina la producción editorial y la performance. En relación al aspecto perfomático se realizan publicaciones repentistas, es decir, publicaciones situadas, espontáneas y en el aquí y ahora. Se adueñan del entorno, lo cartografían y, ya sea, mediante palabras y/o imágenes, realizan una publicación situada. Desde el aspecto propiamente editorial, trabajan con archivos de arte y de artistas con el propósito de visibilizarlos y, también, fabrican archivos, como es el caso de Casi un diario de viaje a Aguaray de Mariana Chiesa.</p> Francisco Pourtalé, Carlos M. Ríos Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1878 Fri, 17 May 2024 00:00:00 +0000 Archivo Romero por/venir https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1879 <p>In this text, members of the Red Conceptualismos del Sur tell how the Archivo Romero por/venir project originated, what are the motivations, the horizons and the ways of reinventing lost documents, inspired by the archival passion of Juan Carlos Romero.</p> Lucía Bianchi, Lucía Cañada, Fernando Davis, Ana Longoni Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1879 Fri, 17 May 2024 00:00:00 +0000 To Luis Pazos https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1880 <p>Tribute to Luis Pazos</p> Autores Varios Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es https://papelcosido.fba.unlp.edu.ar/ojs/index.php/nimio/article/view/1880 Fri, 17 May 2024 00:00:00 +0000