Alma Y Nervio

Los Efectos Del Cuerpo En Escena

Authors

  • Gustavo Radice Instituto de Historia del Arte Argentino y Americano Facultad de Artes. Universidad Nacional de La Plata

Keywords:

Theatre, review, Puig, platense, corporalites

Abstract

The theatre in La Plata city manifests a diversity of particular poetics. In this case we are witnessing a play that bases its dramatic structure mainly on the works of Puig and Perlongher; in addition to putting into play in the platense theatre a set of technical procedures ranging from staging to acting technique. The purpose of this review is to put a spotlight on a group of women who stage their unique vision of performance theatre.

References

Baudrillard, J. (1996). El complot del arte. París, Francia: Sens & Tonka.

Perlongher, N. (1980). Austria - Hungría. Ciudad Autónoma de Buenos Aires, Argentina: Tierra Baldía.

Published

2020-07-26

How to Cite

Radice, G. (2020). Alma Y Nervio: Los Efectos Del Cuerpo En Escena. Metal, (6), 1–5. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/metal/article/view/1189

Issue

Section

Producción