Live. The Televised Rock in Latin America between 1960 and 1990
DOI:
https://doi.org/10.24215/25249215e006Keywords:
Rock, Latin America, television, phonographic industryAbstract
In this article we study the reformulation thatlive Latin American television produces in theoperative concepts of rock in the region, asurban popular music, based on the theoreticalframework provided by philosophicalmaterialism with respect to formal television(Bueno, 2000). We analyzed the transformationsof some musical concepts made by musiciansand audiovisual producers from their interactionin the television broadcast. We also considerthe links with the multinational phonographicindustry. Argentine and Brazilian televisionprograms are considered as samples of theanalysis units.Downloads
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