Blanes / Sound Codes
An Installation with Camera, Screen, and Speakers
DOI:
https://doi.org/10.24215/25249215e056Keywords:
Juan Manuel Blanes, Diego Masi, installation, video, dispositifAbstract
This article examines the installation Blanes / Sound Codes by the Uruguayan artist Diego Masi, presented to the public between 7 and 12 November 2017 in the main hall of the Blanes Museum in Montevideo. The installation intervened in the painting Oath of the Thirty-Three Orientals by the Uruguayan painter Juan Manuel Blanes. The study proposes an analysis of the work based on three notions developed by Anne-Marie Duguet concerning the potential contributions and challenges derived from the use of video in installations since the 1960s: the experience of the work, the concept of thework ofart, and the idea of the dispositif.Downloads
References
Badiou, A. (2013). Las condiciones del arte contemporáneo [Objeto de conferencia]. Conferencia de Alain Badiou. Buenos Aires, 11 de mayo de 2013. https://arteyeducacion.org/recursos/articulos-afines/arte-contemporaneo-segun-alan-badiou/
Benjamin, W. (2011). La obra de arte en la era de su reproducción técnica. El Cuenco de Plata.
Blanes, J. M. (1875- 77). Juramento de los treinta y tres orientales [pintura]. Museo de Bellas Artes Juan Manuel Blanes.
Duguet, A. M. (1988). Dispositifs. Communications, 48, 221-242.
Groys, B. (2008). La topología del arte contemporáneo. https://lapizynube.blogspot.com/2009/05/boris-groys-la-topologia-del-arte_175.html
Masi, D. (s.f.). Instalaciones. https://diegomasi.blogspot.com/
Masi, D. (30 de noviembre de 2017). BLANES / CÓDIGOS SONOROS / DIEGO MASI [Archivo de video]. Youtube. https://www.youtube.com/watch?v=BOzgH89NHyI
MIDI Association (s.f.). Midi specifications. https://midi.org/specs
Mondloch, K. (2010). Screens. Viewing Media Installation Art. University of Minnesota Press.
Museo Blanes. (s.f.). https://blanes.montevideo.gub.uy/
Pure Data (s.f.). Inicio. https://puredata.info/
Real Academia Española (s.f.). Directo. En Diccionario de la lengua española. https://dle.rae.es/directo
Saitta, C. (2014). El diseño de la banda sonora en los lenguajes audiovisuales. Saitta publicaciones musicales.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Clang the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
</a >
