Concert Societies and Musical Practice
Their Institutionalization in Argentina During the 19 Th Century
DOI:
https://doi.org/10.24215/25249215e053Keywords:
Concert societies, Musical promotion, Regulations, RespectabilityAbstract
This paper studies the bylaws of six concert societies in Argentina between 1867 and 1884, based on the modeling of the respectability that the promotion of musical practice regulates. Since this practice reflects and shapes behaviors within the social and political dynamics of the time, the statutes are compared to identify common constants. The methodology involves the use of primary archival sources and a bibliographic survey specific to the musical history in Argentina.Downloads
References
Dirección Provincial de Estadística de la Provincia de Buenos Aires. (s. f.). Primer Censo de la República Argentina. https://www.estadistica.ec.gba.gov.ar/dpe/Estadistica/censos/C1869-TU.pdf
Don Lucas. (30 de enero de 1870). Concierto de la Musical. Los Negros.
Eli, V. (2010). Las sociedades artístico musicales. En C. Carredaño y V. Eli (Eds.), Historia de la música en España e Hispanoamérica. La música en Hispanoamérica en el siglo XIX (pp. 267-304). Fondo de Cultura Económica.
El Negro Viejo. (6 de marzo de 1870). Comparsa “La Africana”. Los Negros.
Guillamon, G. (2022). ¿Qué interés tienen para el público todas esas pamplinas? Alcances y limitaciones del primer diario de crítica musical especializada en Buenos Aires (1869). Pasado Abierto, 0(16). https://ri.conicet.gov.ar/bitstream/handle/11336/201929/CONICET_Digital_Nro.82a86dff-275b-4582-ba9f-5201eaf1a029_B.pdf?sequence=2&isAllowed=y
Mosse, G. (1997). El ritmo cambiante de la vida. En La cultura europea del siglo XIX (pp. 23-41). Ariel.
Raynor, H. (1986). El auge del concierto público, en Una historia social de la música (pp. 416-438). Editorial Siglo XXI.
Reglamento de la Sociedad Filarmónica de Buenos Aires. (1867). [Reglamento] Biblioteca Pública de la Universidad Nacional de La Plata. (91-Aa). Fondo general (BP).
Reglamento de la Sociedad Musical. (1868). [Reglamento] Archivo del Museo Musical Dr. Emilio Azzarini (UNLP). (AR UNLP-100-MA FP-EA(01)-S5-SS3-C003). Fondo Personal Emilio Azzarini.
Reglamento de la Sociedad Musical La Lira. (1875). [Reglamento] Biblioteca Pública de la Universidad Nacional de La Plata. (92-Aa). Fondo general (BP).
Reglamento de la Sociedad Musical de San Juan. (1876). [Reglamento] Biblioteca Pública de la Universidad Nacional de La Plata. (94-Aa). Fondo general (BP).
Reglamento de la Sociedad Filarmónica Club Negros Alegres. (1884). [Reglamento] Biblioteca Pública de la Universidad Nacional de La Plata. (58-Ac). Fondo general (BP).
Reglamento de la Sociedad Musical La Africana. (s. f.). [Reglamento] Archivo del Museo Musical Dr. Emilio Azzarini (UNLP). (AR UNLP-100-MA FP-EA(01)-S5-SS3-C004). Fondo Personal Emilio Azzarini.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Clang the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
</a >
