Ramiro Virou Mito
Notes on Teoría De La Clave Y La Serie Escondida of Ramiro Musotto
DOI:
https://doi.org/10.24215/25249215e039Keywords:
Ramiro Musotto, Theory of clave, Hidden series, Percussion, Musical educationAbstract
After studying with Ramiro Musotto and his subsequent investigations and personal developments, this article offers a written version of the Theory of the clave and the hidden series, that Musotto himself had not published beyond some notes that he distributed in his classes. Musotto’s theory proposes a theoretical-methodological approach to the analysis of the Afro-derived rhythmic matrices, presents in Latin American popular music, facilitating its study and performance, as well as the task of composing and arranging in divers scenes. This text is a reworking for Clang Magazine of the chapter La Semilla from the book Curtir el cuero.Downloads
References
Amira, J. y Cornelius, S. (1992). The Music of Santería. [La música de Santería]. White Cliff Media Company.
Feinmann, J. P. (2018). Una filosofía para América Latina. Editorial Planeta.
Seminara, C. (2021). Curtir el cuero: propuestas pedagógicas desde el tambor latinoamericano. UNR Editora.
Sodré, M. (1998). Samba, o dono do corpo. [Samba, el dueño del cuerpo]. MAUAD Editora Ltda.
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