¿Rock and Roll or Rock and Balls?
DOI:
https://doi.org/10.24215/25249215e028Keywords:
rock, gender, women, dissenting identitiesAbstract
This article will attempt to address the problems involved in the hegemonic position of the heterocismale -as a social category- as a reference within the rock music circuit, since the beginning of this cultural movement. Could we talk about an invisible stage? Or rather from a circuit that excludes non-hegemonic identities in the musical environment? How are the contours that delimit the space of public appearance of women and people of the LGTBIQ+ community constructed? Why do certain identities find it more difficult to establish themselves professionally in the different areas of rock?Downloads
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