In Sound Temporality

Authors

  • Lucio Consolo Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25249215e027

Keywords:

sound transformation, course, track, loop, sample

Abstract

In electronic music, repetition is the main compositional resource for the construction of the musical course. This resource takes the name of loop, and these are generally made with samples. In this article we seek to show how the implementation of such resources implies that the time course is assigned to the sound transformation. For this we will consider the formal aspects of a track and the musical devices and musical procedures that are used for its composition.

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References

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Published

2022-09-14

How to Cite

Consolo, L. . (2022). In Sound Temporality. Clang, (8), e027. https://doi.org/10.24215/25249215e027

Issue

Section

Articles