Cantata Gottes Zeit ist die allerbeste Zeit by J. S. Bach
Phonetic Analysis for Its Interpretation
DOI:
https://doi.org/10.24215/25249215e018Keywords:
Cantata, Bach, phonetic analysis, pronunciationAbstract
Gottes Zeit ist die allerbeste Zeit is a famous German cantata by the composer J. S. Bach. In this work, we described its pronunciation through a detailed phonetic analysis that has allowed us to specify the sounds to be studied and propose effective solutions to its diction difficulties. Thus, we hope to contribute to the development of quality German musical performances.Downloads
References
Bach, J. S. (c. 1707). Gottes Zeit ist die allerbeste Zeit [El tiempo de Dios es el mejor de todos]. Mühlhausen, Alemania.
Becker, T. (2012). Einführung in die Phonetik und Phonologie des Deutschen [Introducción a la fonética y fonología del alemán]. Darmstadt, Alemania: Wissenschlaftliche Buchgesellschaft.
Carranza, R. (2013a). Análisis del texto «To daffodils» del Ciclo de las flores de Benjamín Britten. Revista de Investigaciones en Técnica Vocal, 1, 88-91. Recuperado de https://revistas.unlp.edu.ar/RITeV/article/view/2062
Carranza, R. (2013b). Las imperfecciones en la articulación impiden lograr una correcta dicción en el canto coral. Ponencia presentada en el 1. o Congreso Coral Argentino. Organización Federada Argentina de Actividades Corales, Mar del Plata, Argentina.
Carranza, R. (2015). Análisis del soneto «Alles endet, was entsteht» del ciclo de canciones de Miguel Ángel compuesto por Hugo Wolf. Revista de Investigaciones en Técnica Vocal, 3(1), 45-52. Recuperado de https://revistas.unlp.edu.ar/RITeV/article/view/2284
Dürr, A. (2005). The cantatas of J. S. Bach: with their librettos in German-English parallel text [Las cantatas de J. S. Bach: con sus libretos en Alemán-Inglés en texto paralelo] (Rev. y Trad. Jones, R. D. P.). Nueva York, Estados Unidos: Oxford University Press.
Entraigas, O. R. y Guzmán, M. N. (2015). Un análisis fonético de «Dirait-on» de Morten Lauridsen: derivaciones para la práctica coral. Revista de Investigaciones en Técnica Vocal, 3(1), 53-63. Recuperado de https://revistas.unlp.edu.ar/RITeV/article/view/2206 Gardiner, J. E. (2000). Bach: Cantatas [CD]. Hamburgo, Alemania: Deutsche Grammophon.
Guzmán, M. N. (2018). Quel sguardo sdegnosetto de Claudio Monteverdi: Estudio de la relación entre música y texto para una interpretación declamatoria. AV Notas: Revista de Investigación Musical, 5, 9-29. Recuperado de http://publicaciones.csmjaen.es/index.php/pruebas/article/view/147
Johnston, A. (2016). English and German diction for singers: A comparative approach [Dicción inglesa y alemana para cantantes: un acercamiento comparativo]. Segunda edición. Lanham, Estados Unidos: Rowman & Littlefield.
Jos van Veldhoven [Netherlands Bach Society]. (8 de noviembre de 2018). Bach cantata Gottes Zeit... Actus Tragicus BWV 106 – Van Veldhoven | Netherlads Bach Society [Archivo de video]. Disponible en https://www.youtube.com/watch?v=xXMUpqSyJJo
Koopman, T. (1997). Bach Cantatas [DVD]. S. d.: NVC Arts.
Wiese, R. (2011). Phonetik und Phonologie [Fonética y fonología]. Paderborn, Alemania: Wilkelm Fink UTB.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Clang the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.
</a >
