The Collective Composition of a Song. Debates Around the Artistic Phenomenon

Authors

  • Gastón Chatelet Facultad de Artes. Universidad Nacional de La Plata
  • María Lucía Troitiño Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25249215e009

Keywords:

Public, artist, artiwork, collective art work, public artist

Abstract

The article proposes the initial approach of the problems that represent the analysis of contemporary art productions from the traditional categories of artist, artwork and public. They are in tension with the emergence of mass media that impact on traditional forms of art production, especially in the creative instance. On this occasion, we analyse the case of the singer-songwriter Jorge Drexler, who with his public on Facebook composed a song for the commemoration of the 80th anniversary of the Guernica (1937) of Pablo Picasso.

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References

Camnitzer, L. (2001). El arte sucede en el espectador. En AA. VV., El final del eclipse. El arte de América Latina en la transición al siglo XXI (s. p.). Madrid, España: Fundación Telefónica.

Drexler, J. (2017). Suena Guernica [Obra mixta]. Recuperado de http://www.rtve.es/radio/20170614/suena-guernica-jorge-drexler/1562261.shtml

Eco, U. (1993). Obra Abierta. Barcelona, España: Ariel.

Jiménez, J. (2006). Teoría del Arte. Madrid, España: Tecnos.

López Blanco, M. (1995). Notas para una introducción a la estética. La Plata, Argentina: Facultad de Artes.

Pareyson, L. (1987). Conversaciones de Estética. Madrid, España: Visor.

Published

2020-04-21

How to Cite

Chatelet, G., & Troitiño, M. L. (2020). The Collective Composition of a Song. Debates Around the Artistic Phenomenon. Clang, (6), e009. https://doi.org/10.24215/25249215e009

Issue

Section

Articles