Nurturing One’s Own. Between Saying and Doing in Rodolfo Franco

Authors

  • Germán Casella Instituto de Historia del Arte Argentino y Americano. Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e022

Keywords:

Theatre, Scenography, Production, National, Foundation

Abstract

This review presents Cora Roca’s main contribution to Rodolfo Franco’spersonal appreciation, as the first Argentinian scenographer. We analyze twotexts written by Roca (Rodolfo Franco: el fundador de la escenografía argentina(2016) [Rodolfo Franco: Founder of Argentinian Scenography] and RodolfoFranco: escritos sobre arte y escenografía (2018) [Rodolfo Franco: On Art andScenography]) to reach a general outline of theatre field in Buenos Aires at thatperiod. In reading both texts we will find a complementary stance to look intoFranco’s work as an essential scenographer devoted to his labour on a nationalscale woven into a european education and perspective.

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References

Dubatti, J. (2012). Cien años de teatro argentino. Buenos Aires, Argentina: Biblos, Fundación OSDE.

Roca, C. (2016). Rodolfo Franco: el fundador de la escenografía argentina. Buenos Aires, Argentina: Eudeba.

Roca, C. (2018). Rodolfo Franco: escritos sobre arte y escenografía. Buenos Aires, Argentina: Eudeba.

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Published

2019-06-24

How to Cite

Casella, G. (2019). Nurturing One’s Own. Between Saying and Doing in Rodolfo Franco. Armiliar, (3), e022. https://doi.org/10.24215/25457888e022

Issue

No. 3 (2019): Armiliar 3

Section

Interviews and reviews

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