Notes about Guido, Kusch and Acha

Authors

  • Giuliana Paneiva Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e021

Keywords:

Latin American, Art, Thought, Authentic, Esthetic

Abstract

The present text aims to develop the category of Latin American art, fromtheoretical reflections emerged within the region, based on the proposalsof Angel Guido, Rodolfo Kusch and Juan Acha. Methodologically, similaritiesand differences between the authors will be sought. The time in which theirproposals occur will be taken into account, as long as the thoughts that arepart of a social climate are considered, in which the ideas and concerns arefound and the authors have read their predecessors or, without having fact,to be both in the representational background of the moment and from it tomake their contributions.

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References

Acha, J. [1989] (2004). Hacia un pensamiento visual independiente. En J. Acha, A. Colombres y T. Escobar (Eds.), Hacia una teoría americana del arte (pp. 49-83). Buenos Aires, Argentina: Ediciones del Sol.

Guido, A. [1936] (1944). Redescubrimiento de América en el Arte. Buenos Aires, Argentina: El Ateneo.

Kusch, R. [1955] (2007). Anotaciones para una estética de lo americano. En Obras Completas (tomo IV) (pp. 779-815). Rosario, Argentina: Fundación Ross.

Rojas, R. [1924] (1980). Eurindia (Tomo V). Buenos Aires, Argentina: La Facultad.

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Published

2019-06-24

How to Cite

Paneiva, G. (2019). Notes about Guido, Kusch and Acha. Armiliar, (3), e021. https://doi.org/10.24215/25457888e021

Issue

No. 3 (2019): Armiliar 3

Section

Progress of works

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