Warburg and the Migration of Images Over the Time

Authors

  • Pamela Dubois Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e020

Keywords:

Image, Memory, Method, Warburg

Abstract

At the end of the 19th century and the beginning of the 20th the stylistic-formalmodel used in the historiography of art until now, begins to be questioned andproblematized by the German historian Abraham Moritz Warburg (1866, 1929).From this figure the present work that has as objective the accomplishmentof a historiographical reflection relative to this German historian and, morespecifically, to the concept of Pathosformeln coined by the author.

Downloads

Download data is not yet available.

References

Agamben, G. (2007). Estancias. Buenos Aires, Argentina: Adriana Hidalgo.

Burucúa, J. E. (Comp.). (1992). Historia de las imágenes e historia de las ideas. La escuela de Aby Warburg. Buenos Aires, Argentina: Centro Editor de América Latina.

Burucúa, J. E. (2002). Historia, arte y cultura, De Aby Warburg a Carlo Guinzburg. Buenos Aires, Argentina: Fondo de Cultura Económica.

Burucúa, J. E. y Kwiatkowski, N. (2014). Como sucedieron estas cosas. Representar masacres y genocidios. Buenos Aires, Argentina: Katz.

Cassirer E. (1923). Filosofía de las formas simbólicas. Darmstadt, Alemania: Fondo de Cultura Económica.

Vignoli, T. (1879). Mito e Scienza. Saggio. Milán, Italia: Fratelli Dumolard.

Warburg, A. (2004). El ritual de la serpiente. Ciudad de México, México: Sexto Piso.

Warburg, A. (2005). El renacimiento del paganismo. Aportaciones a la historia cultural del renacimiento europeo. Madrid, España: Alianza.

Downloads

Published

2019-05-08

How to Cite

Dubois, P. (2019). Warburg and the Migration of Images Over the Time. Armiliar, (3), e020. https://doi.org/10.24215/25457888e020

Issue

No. 3 (2019): Armiliar 3

Section

Progress of works

License


Current policy since 2019

The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-ShareAlikes 4.0 International (BY-NC-SA 4.0).

According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.

The cession of non-exclusive rights means that after the publication (post print) in Armiliar the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.

Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.