Destabilizing the Speech. Feminist Art of Buenos Aires Underground
DOI:
https://doi.org/10.24215/25457888e019Keywords:
Feminism, Art, Under, Buenos Aires, MitominasAbstract
In this work we aim to ponder on the first appearances and contributions offeminist art in Argentina post dictatorship taking as a reference the exhibitionMitominas I, considered one of the first demonstrations that approached andmade complex the subject in Buenos Aires during the 1980s, being a pioneerin the questioning and visualization of women as a social construct createdsince antiquity. The exhibition was intended to challenge women’s place inart. For this writing we use journalistic articles and bibliography referred tothe subject. We take as an example two works that sought to break with thestereotyped representation of women.Downloads
References
Altschul, M. (1986). Mitominas I [Exposición colectiva]. Buenos Aires, Argentina: Centro Cultural Ciudad de Buenos Aires.
Altschul, M. (1988). Mitominas II [Exposición colectiva]. Buenos Aires, Argentina: Centro Cultural Ciudad de Buenos Aires.
Rosa, M. L. (2011). Fuera de discurso. El arte feminista de la segunda ola en Buenos Aires (Tesis de doctorado). Recuperado de http://e-spacio.uned.es/fez/eserv/tesisuned:GeoHis-Mlrosa/Documento.pdf
Rosa, M. L. (2013). Fuera de Discurso: Las artistas en los bordes del canon de la historia del arte. Estudio de caso: Mitominas I y II (1986-1989). En Museo Nacional de Bellas Artes (Comp.), Seminario Historia del Arte y Feminismo. Relatos lecturas escrituras omisiones (pp. 73-82). Recuperado de http://patrimonioygenero.dibam.cl/651/articles-49719_archivo_01.pdf
Rosa, M. L. (2014). Legados de Libertad. El arte feminista en la efervescencia democrática. Buenos Aires, Argentina: Biblos.
Rosso, L. (8 de julio de 2016). Derribando mitos. Página 12. Recuperado de https://www.pagina12.com.ar/diario/suplementos/las12/13-10699-2016-07-12.html
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