Sociology of Art. Historiographical Notes between Hauser and Francastel

Authors

  • María Inés Gannon Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e018

Keywords:

Sociology, Art, Hauser, Francastel, Historiography

Abstract

The aim of the present work is to compare and analyse, from a historiographicalperspective, the different ideas and views of the art historians Arnold Hauserand Pierre Francastel. For the particular selection of these authors, it has beentaken into account that Hauser is considered the father of Sociology of Artand made one of the first studies framed within this subject. In exchange,the studies carried out by Francastel will be analysed due to the fact that theauthor wrote criticisms and significant contributions to that first conceptionof Sociology of Art.

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References

Antal, F. [1948] (1989). La pintura florentina y su ambiente social. Madrid, España: Alianza.

Francastel, P. [1948] (1965). Arte y sociología. En La realidad figurativa: elementos estructurales de la sociología del arte (pp. 27-55). París, Francia: Denoël/Gonthier.

Francastel, P. [1951] (1990). Pintura y sociedad. Madrid, España: Cátedra.

Francastel, P. [1970] (1984). Sociología del arte. Buenos Aires, Argentina: Alianza-Emecé.

Gombrich, E. [1950] (2009). La historia del arte. Londres, Inglaterra: Phaidon.

Gombrich, E. (1963). Meditaciones sobre un caballo de juguete. Madrid, España: Debate.

Hauser, A. (1951). Historia social de la literatura y el arte. Madrid, España: Guadarrama.

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Published

2019-06-24

How to Cite

Gannon, M. I. (2019). Sociology of Art. Historiographical Notes between Hauser and Francastel. Armiliar, (3), e018. https://doi.org/10.24215/25457888e018

Issue

No. 3 (2019): Armiliar 3

Section

Progress of works

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