Cut and Connection. Montage and Musical form in Claude Debussy´s Canope

Authors

  • Luis Menacho Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e015

Keywords:

Montage, Heterogeneity, Mxture, Post tonality, Musical time

Abstract

The article explores the assembly techniques elaborated by the cinemaas a procedure for the formal organization of music. From heterogeneousfragments that are cut and connected, they have resignified the musical formand time since the avant-garde movements of the 20th century. The case ofthe Canope prelude, number 10 of Claude Debussy’s second book and theincidence of his musical conception for new poetics is analyzed.

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References

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Published

2019-05-08

How to Cite

Menacho, L. (2019). Cut and Connection. Montage and Musical form in Claude Debussy´s Canope. Armiliar, (3), e015. https://doi.org/10.24215/25457888e015

Issue

No. 3 (2019): Armiliar 3

Section

Articles

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