Make (Other) History. Genealogy Building in the Work of Effy Beth
DOI:
https://doi.org/10.24215/25457888e014Keywords:
Genealogy, Queer, Feminisms, Cisnorm, EffyAbstract
In this paper we’ll analize a body of works by trans artist Elizabeth Mía Chorubczyk(1988-2014), also known as «Effy Beth», considering the relationships theyarticulate with art history and with institucionalized narratives of feminisms.Effy’s work constitutes a complex device of construction and accesss to thepast where,starting from references to feminist cis women artists, mainlyamerican and european, and the poetic-critical strategy of retaking themesand artistic procedures worked by them, the limits of these narratives arestressed, pointing out cisnormative power mechanics that operate regulatingand administrating the art history narrations.Downloads
References
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Chorubczyk, E. (2011). Nunca Serás Mujer [Performance]. Recuperado de http://nuncaserasmujer.blogspot.com
Chorubczyk, E. (27 de septiembre de 2010). Una nueva artista necesita usar el baño [Entrada de blog]. Recuperado de http://tengoefymia.blogspot.com/2010/09/una-nueva-artista-necesita-usar el-bano.html
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Gutiérrez, M. L. (2015). Entre las intervenciones feministas y el arte de mujeres. Aportes, rupturas y derivas contemporáneas de los cruces entre arte y feminismos. Asparkia, (27), 65-78. Recuperado de http://www.e-revistes.uji.es/index.php/asparkia/article/view/1481/1737
Máximo, M. (2016). Que el mundo tiemble. Cuerpo y performance en la obra de Effy Beth. La Plata, Argentina: Edulp.
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