Bond Glares for a Situated Historiography. Shedding Light upon the Dark Forms of Latin American Art

Authors

  • Valentina Valli Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano. Facultad de Bellas Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e013

Keywords:

Kusch, Escobar, Representation, Form, Content

Abstract

In this article, we propose to reflect and address the possible links betweenLatin American theorists Rodolfo Kusch (Argentina) and Ticio Escobar(Paraguay). Establishing relationships between some concepts in his writings(such as representation and the form-content debate), we will try to delve intothe points in common between the aesthetic conceptions of both authors ofour Great Homeland. Thus, we will try to discover notions about the contentsof the artistic creational, which are not subject to pre-established notions(foreign and fundamentally European), but re-use and re-formulate them,throwing light on those potentialities sheltered that from these other opticsremain somber and even intimidating.

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References

Escobar, T. (2015). Imagen e intemperie. Las tribulaciones del arte en los tiempos del mercado total. Buenos Aires, Argentina: Capital Intelectual.

Hegel, W. G. F. (1989). Lecciones de estética (Trad. A. Brotóns). Madrid, España: Akal.

Kusch, R. (1955). Anotaciones para una estética de lo americano. Comentario, (9). Recuperado de http://latitudeslatinas.com/download/artigos/Rodolfo-Kusch-Anotaciones-para-una-estetica-de-lo-americano.pdf

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Published

2019-06-24

How to Cite

Valli, V. (2019). Bond Glares for a Situated Historiography. Shedding Light upon the Dark Forms of Latin American Art. Armiliar, (3), e013. https://doi.org/10.24215/25457888e013

Issue

No. 3 (2019): Armiliar 3

Section

Articles

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