Art History and Criticism. An Attemp to Alter Its Recent Changes
DOI:
https://doi.org/10.24215/25457888e001Keywords:
Image, art historiography, criticism, musée imaginaireAbstract
The history of art is the history of that which can be photographed, AndréMalraux (1951) wrote. There has been a widespread use of photography andfilm as media for art history and criticism since the mid-twentieth century.It invites us to consider how their discursive forms have been adapting toand, above all, drawn on the expressive potential of essentially (audio) visualmedium. And how this has happened to the expense of traditional writtenform to which art history and criticism have been mainly associated since theirorigin in the works by Pliny the Elder, Giorgio Vasari and Denis Diderot.Downloads
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