La Vuelta Del Malon: Representation of The Kidnapping of The Captive
DOI:
https://doi.org/10.24215/25457888e064Keywords:
Ángel Della Valle, captive, malón, painting, receptionAbstract
In this historiographical research work, we recapitulated the reception received by the Buenos Aires society of the canvas La Vuelta del Malón (1892) by Ángel Della Valle. Fragments of literary works, arguments and critiques written by referents of the Fine Arts, published in different media of the time, were rescued, prioritizing the detail of the captive in the arms of the chief. Redefining the scene of the abduction as an escape carried out by a man and a woman belonging to different worlds.Downloads
References
Auzón, E. (1892). Comentario sobre La Vuelta del Malón. La Ilustración Sud-Americana, núm. 7, p. 19.
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Botet, J. (1892). Ángel Della Valle: La Vuelta del Malón. Buenos Aires Ilustrado, año 1, núm. 4, p. 87.
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Malosetti Costa, L. (2001). Capítulo VII: Buenos Aires-Chicago: La Vuelta del Malón (pp. 239-285). En Los primeros modernos: Arte y sociedad en Buenos Aires a fines del siglo XIX. Fondo de Cultura Económica Argentina.
Malosetti Costa, L. (2014). La seducción fatal. Catálogo online. https://www.bellasartes.gob.ar/publicaciones/la-seduccion-fatal/
La Vuelta del Malón; Legajo de obra, Museo Nacional de Bellas Artes, Buenos Aires.
Schiaffino, E. (1933). La pintura y la escultura en Argentina. Edición del autor, Buenos Aires – MCMXXXIII.
Televisión Pública. (2015). Capítulo 1: La Vuelta del Malón. La Patria a cuadros. https://www.youtube.com/watch?v=ho-Jm80vs2w&t=2478s
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