Clemente Onelli and the Promotion of the Creole loom

A Project of Development Between Art and Industry

Authors

  • Larisa Mantovani Escuela Interdisciplinaria de Altos Estudios Sociales (Escuela IDAES). Centro de Investigaciones en Arte y Patrimonio (CIAP). Escuela de Arte y Patrimonio (EAyP). Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET). Universidad Nacional de San Martín
  • Pablo Fasce Escuela Interdisciplinaria de Altos Estudios Sociales (Escuela IDAES). Universidad Nacional de San Martín.

DOI:

https://doi.org/10.24215/25457888e048

Keywords:

Nativism, Textile, Applied Arts, Clemente Onell

Abstract

This article analizes the role of the Italian naturalist Clemente Onelli in the diffusion process of the creole loom technique. Interested in the technical and material qualities of the American textile, Onelli elaborated a theoretical discourse to relate its principal characteristics with elements of the Argentine national identity. Onelli became a hybrid figure that put together the roles of the critic, the collector and the promoter: this last aspect led him to make a contribution to the educational and industrial projects about the creole textile that were developed during the Twentieth century.

Downloads

Download data is not yet available.

References

Agüero, A. C. (2017). Local/Nacional. Una historia cultural de Córdoba en el contacto con Buenos Aioires (1880-1918). Universidad Nacional de Quilmes.

Corsani, P. y Barbat, C. (2007). Clemente Onelli: curiosidades, búsquedas y descubrimientos. Estudios e investigaciones, (11), 61-66.

Formoso, S. E. (2010). Ernesto Padilla (1873-1951). Ciudadano del norte argentino. Centro Cultural Alberto Rougés.

Gutiérrez Viñuales, R.; Gutiérrez, R.; Kuon Arce, E. y Viñuales, G. (2009). Cuzco-Buenos Aires. Ruta de intelectualidad americana (1900-1950). Universidad San Martín de Porres, Fondo Editorial.

Industrias primitivas. El telar. (1926). Plus Ultra, (134), 51.

La labor de los telares. (1926). Plus Ultra, (134), 46.

L. E. Moi. (1919). Alfombras y tapices americanos, Augusta, (2), 42-44.

Onelli, C. (1916). Alfombras, tapices y tejidos criollos. Guillermo Kraft.

Onelli, C. (1922). “Escuela Municipal de Telares Domésticos”. Revista Cultural del Jardín Zoológico de Buenos Aires, octubre, Época 2, Año 18, 66-68.

Pegoraro, A. (2017). El uso de motivos indígenas de colecciones del Museo Etnográfico de la UBA en los inicios del Siglo XX: actores, actividades y objetos. Revista del Museo de Antropología, 27-36.

Pérez Valiente, J. M. (1919). Arte americano. Alfombras y tejidos incaicos. Plus Ultra, (33), 15-16.

República Argentina. (1917). Tercer Censo Nacional. Levantado el 1ro de junio de 1914. Talleres Gráficos de L. J. Rosso y Cía. Tomo VII. Censo de las Industrias.

Rojas, R. (1915). La Universidad de Tucumán: Tres conferencias. Librería argentina de Enrique García.

Ruspi, S. (1 de septiembre de 1917). Una vieja industria nacional ‘torniamo all’antico’. Caras y Caretas, (987), 40-41.

Scocco, G. (2006). Arte textil tradicional: valoración, preservación y recuperación. Avances. Revista del área artes, (9), 181-198

Downloads

Published

2023-11-29

How to Cite

Mantovani, L. ., & Fasce, P. . (2023). Clemente Onelli and the Promotion of the Creole loom : A Project of Development Between Art and Industry. Armiliar, (7), e048. https://doi.org/10.24215/25457888e048

Issue

No. 7 (2023): Armiliar 7

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


Current policy since 2019

The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-ShareAlikes 4.0 International (BY-NC-SA 4.0).

According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.

The cession of non-exclusive rights means that after the publication (post print) in Armiliar the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.

Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.