Representing the Unrepresentable, Imagining the Unimaginable
DOI:
https://doi.org/10.24215/25457888e043Keywords:
Georges Didi-Huberman, Image, Unrepresentable, Jacques RancièreAbstract
This work proposes a theoretical conjunction between the intellectual production of Georges Didi-Huberman and Jacques Rancière regarding their thoughts on the relationship between image, representation and history. Via an analysis of their contributions, we hope to clarify the position shared between these authors regarding the criticism of the culture of the unrepresentable. To do so, we demonstrate that the unimaginable is not located in the field of that which is impossible to represent, but of a tearing opening that touches us and offers us a displacement of limits.Downloads
References
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Rancière, J. (2018). Figuras da história [Figuras de la historia]. Editora Unesp.
Seligmann-Silva, M. (2000). A história como trauma [La historia como trauma]. En A. Netrovski y M. Seligmann-Silva (Comps.), Catástrofe e representação: ensaios [Catástrofe y representación: ensayos] (pp. 73- 98). Escuta.
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Wajcman, G. (2001). De la croyance photographique [La creencia fotográfica]. Les Temps modernes, (613), 47-83.
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