Representing the Unrepresentable, Imagining the Unimaginable

Authors

  • Allan André Lourenço Universidade Estadual de Campinas

DOI:

https://doi.org/10.24215/25457888e043

Keywords:

Georges Didi-Huberman, Image, Unrepresentable, Jacques Rancière

Abstract

This work proposes a theoretical conjunction between the intellectual production of Georges Didi-Huberman and Jacques Rancière regarding their thoughts on the relationship between image, representation and history. Via an analysis of their contributions, we hope to clarify the position shared between these authors regarding the criticism of the culture of the unrepresentable. To do so, we demonstrate that the unimaginable is not located in the field of that which is impossible to represent, but of a tearing opening that touches us and offers us a displacement of limits.

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References

Didi-Huberman, G. (2020). Imagens apesar de tudo [Imágenes al fin y al cabo]. Editora 34.

Lanzmann, C. (Director). (1985). Shoah [Película]. Fayard.

Rancière, J. (2011). El malestar en la estética. Capital Intelectual. Buenos Aires, Argentina

Rancière, J. (2012). Se o irrepresentável existe [Si lo irrepresentable existe]. En O destino das imagens [El destino de las imágenes] (pp. 119- 149). Contraponto.

Rancière, J. (2018). Figuras da história [Figuras de la historia]. Editora Unesp.

Seligmann-Silva, M. (2000). A história como trauma [La historia como trauma]. En A. Netrovski y M. Seligmann-Silva (Comps.), Catástrofe e representação: ensaios [Catástrofe y representación: ensayos] (pp. 73- 98). Escuta.

Sontag, S. (2003). Diante da dor dos outros [Ante el dolor de otros]. Companhia das Letras.

Wajcman, G. (2001). De la croyance photographique [La creencia fotográfica]. Les Temps modernes, (613), 47-83.

Published

2022-06-24

How to Cite

Lourenço, A. A. (2022). Representing the Unrepresentable, Imagining the Unimaginable. Armiliar, (6), e043. https://doi.org/10.24215/25457888e043

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Section

Articles