Style Here and There

Meanings of the Term within the History of Art

Authors

  • Carola Berenguer Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e042

Keywords:

Style, Heinrich Wölfflin, Meyer Schapiro, historiography, discourses

Abstract

The present work aims to delve into the term style and the concepts adjacent to it, based on the reading of Fundamental Concepts of Art History [1915] (1952) by Heinrich Wölfflin and Style [1953] (1962) by Meyer Schapiro. Both of them were art historians who contributed to historiography using and sharing the following notions, implicitly or explicitly, within their discourses: imitation of Nature, beauty, contextual influences, artistic evolution, individual, personality and simultaneity. In this way, the article presents some of the meanings of the term within the History of Art.

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References

Crespi, I. y Ferrario, J. (1995). Léxico técnico de las artes plásticas. EUDEBA.

Real Academia Española. (s.f). Estilo. Recuperado 2 de octubre de 2020, de https://dle.rae.es/estilo

Riegl, A. [1893] (1980). Problemas de estilo. Gustavo Gili.

Schapiro, M. [1953] (1962). Estilo. Ediciones 3.

Wölfflin, H. [1915] (1952). Conceptos fundamentales de la historia del arte. Espasa-Calpe.

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Published

2022-06-24

How to Cite

Berenguer, C. . (2022). Style Here and There: Meanings of the Term within the History of Art. Armiliar, (6), e042. https://doi.org/10.24215/25457888e042

Issue

No. 6 (2022): Armiliar 6

Section

Articles

License

Copyright (c) 2022 Carola Berenguer

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


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