History of Latin American Art. Contributions to Think about its Future

Authors

  • Sara Migoya Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano. Facultad de Artes. Universidad Nacional de La Plata

DOI:

https://doi.org/10.24215/25457888e029

Keywords:

Aby Warburg, latin American art, survival, anachronism, heterochrony

Abstract

This paper will analyze the Nachleben concept developed by Aby Warburg to analyze survivals and reflect on those forms that are resignified in the present. This category of Warburgian thought allows us to address some of the problems that emerge from the study of the history of Latin American and contemporary art, which involves adopting anachronistic theoretical positions and rethinking the distribution of center-periphery roles in the construction of aesthetic theories in Latin America.

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References

Ciafardo, M. (2016). Las imágenes visuales latinoamericanas. El derecho a la contemporaneidad. Octante, (1), 23-33. Recuperado de http://papelcosido.fba.unlp.edu.ar/ojs/index.php/octante/article/view/162

Didi-Huberman, G. (2002). La imagen superviviente. Historia del arte y tiempo de los fantasmas según Aby Warburg. Madrid, España: Abada Editores.

Didi-Huberman, G. (2015). Ante el tiempo. Historia del arte y anacronismo de las imágenes. Ciudad Autónoma de Buenos Aires, Argentina: Adriana Hidalgo editora.

Escobar, T. (2007). Chaco paraguayo: sobrevivencia y sobrevida. Asunción, Paraguay: Fotosíntesis.

Moxey, K. (2016). El tiempo de lo Visual. La imagen en la historia. Ciudad Autónoma de Buenos Aires, Argentina: Sans Solei.

Ruvituso, F. L. (2013). Aby Warburg y la imagen como fuente Aproximaciones acerca de los conceptos de memoria, montaje y supervivencia. Ponencia presentada en las 9.º Jornadas Nacionales de Investigación en Arte en Argentina. Facultad de Artes de la Universidad Nacional de La Plata, La Plata, Argentina. Recuperado de http://sedici.unlp.edu.ar/handle/10915/42502

Ruvituso, F. L. (2019). Tensiones y supervivencias. Apuntes sobre la iconología de Aby Warburg. En R. A. Hitz, F. L. Ruvituso y J. C. Pedroni (Coords.), Historiografías del arte. Debates y perspectivas teóricas (pp. 78-108). Recuperado de http://sedici.unlp.edu.ar/handle/10915/86724

Warburg, A. (1992). Arte italiano y astrología internacional en el palacio Schifanoia de Ferrara. En A. Warburg y otros Historia de las imágenes e historia de las ideas. Ciudad Autónoma de Buenos Aires, Argentina: Centro Editor de América Latina.

Winckelmann, J. [1764] (2011). Historia del arte de la Antigüedad. Madrid, España: Akal.

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Published

2020-05-20

How to Cite

Migoya, S. (2020). History of Latin American Art. Contributions to Think about its Future. Armiliar, (4), e029. https://doi.org/10.24215/25457888e029

Issue

No. 4 (2020): Armiliar 4

Section

Articles

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