The Domestication of the Irreparable. When the Art Direction Interweaves (the Gender)
DOI:
https://doi.org/10.24215/2525085Xe009Keywords:
Art direction, self-management production, gender, criticAbstract
An essay from the film Tejen (2014), by director Pablo Rabe to think about the Art Direction of self-managed production today. An adequate analysis of this creation that puts in question the canon and the tradition of this role that, despite being foundational in the construction of the film, is often made invisible by feminized hegemonic practices. Its climates, textures and details remind us of the inexorable nature of life. The decisions made by the work team achieve an aesthetic experience that puts us face to face with our own existence, in a different way.References
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Rabe, P. (Director). (2014). Tejen [Película]. Argentina: Más Ruido Cine Digital.
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