Recover the Instant, To See Through the Images
DOI:
https://doi.org/10.24215/2525085Xe001Keywords:
Progress, instant, desire, memory, imageAbstract
The formal reason for the audiovisual essay is not exclusively aesthetic but is rooted in a daily context that should be examined in its most compromising implications. From the criticism of progress, the article reflects on the echoes of that alienating culture and how to reverse them in favor of the subject not being disabled but available to rebuild, to create a way of living time and a way of seeing, in the middle of the repetitive time of consumption.References
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